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Balboa Park, San Diego

A Little Sketch Goes A Long Way

3/2/2016 1:06:16 AM
by Keiko Tanabe - 5 Comments
Topics: American Landscapes | Boats | Cafés & Restaurants | California Landscapes | Painting Tips | Plein Air Painting | San Diego 100 Landscapes 

 

Winter is over and it's time to get out in the field for plein-air painting.  Sounds great?  I know it's Yes for some people but for the others it may be one of those things that are easier said than done.  Especially if you made your studio too comfortable during harsh winter months, or if you have never painted outside, it may seem a bit daunting to venture out of the studio.  Well, you can relax and take a less intimidating approach: make a small sketch outside instead of a full-scale painting.

 

These small sketches, called fieldwork, are something I enjoy immensely.  The more you do, the easier it gets, and you will soon find yourself wanting to spend more time outside.  You can do fieldwork any way you want but I try to work with certain "rules" I made.  Here are some (followed by a little voice inside me):

 

(1) Work small and make sure to have 15 uninterrupted minutes to complete a sketch (Forget all the details that look too time-consuming)

(2) Keep the art material cost associated with it minimal (No problem using the back of a failed painting.  I've got a ton of them)

(3) Try to paint spontaneously and loosely (Who am I trying to impress?  Think "FEAR" is a four-letter word)

(4) Try to capture the moment (Feel the air, smell the smell, be engaged on a personal level)

(5) Enjoy the process (Don't worry about the result and no whining!)

 

Sometimes I finish a sketch that is surprisingly good because I successfully followed the "rules."  Honestly, however, I like each of my sketches regardless of the quality of the result.  These rules allow me to focus more on an emotional side rather than on a technical side of a creative process.  And I can see in a sketch something about the very essence of a subject which a photo cannot capture.  These sketches are not just wonderful reference but they also rekindle an old interest if I want to make a larger painting of the same subject later in the studio. 

 

Below are some sketches done in and around San Diego, California.

 

San Diego Downtown

 

Liberty Station, San Diego

 

 

Old Town, San Diego (above), Fallbrook (below)

 

San Diego Beaches

 

 

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Comments

5 Responses to A Little Sketch Goes A Long Way

Big smile. Glad to hear that you also have tons of failed paintings. Me too, tons of failed paintings but sometimes one acceptable. But I think I learn a lot and I enjoy painting. Thanks a lot for all your advice and your videos. Take good care of yourself. Best regards from me...

Hi Ole, thank you for your comment! You're right - Learning never ends, and we should enjoy painting. As I always say to my students, we should make a lot of mistakes (in other words, paint a lot) and learn from the mistakes. That is real learning and you will never forget the knowledge acquired that way. Best regards,

The'Shy Artist' problem. I am always asked by potential sketchers ' Do people talk to you ?'. I suppose it's ok for a big scruffy bloke like me who doesn't mind getting it right or wrong, but a lot of people are just so wary of expressing themselves in public. Whether you're in Venice or sitting by Bristol Docks your pad is a magnet for comment, but hey they're usually nice comments (or grunts). The worst that happened to me recently was a little girl who was determined to help me with my efforts. It was bad because I didn't know how to encourage her. Luckily the parents took pity on me and dragged the potential genius off my modest equipment.

You nailed it Keiko! A process to help one overcome that dreaded FEAR of wasting time and materals and the FEAR that makes us avoid the RISK of producing a painting that's not up to one's self imposed standards and expectations! It's this FEAR that prevents us from improving our work!

Thank you, Peter, Ron, for taking the time to read my blog and comment. I really appreciate it. One of the difficulties unique to plein-air painting is those outdoor elements, often uncomfortable or distracting - all kinds of weather, changing light, bugs, safety, people who come and watch or talk to us, having to walk with all the equipment, etc. Dealing with compositional elements is hard enough but if all these other things are added, that could easily discourage shy artists. Die-hard plein-air painters will keep doing it, nonetheless, because the reward is immense and you learn so much. Happy painting!


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