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When it comes to choosing a subject of plein-air painting, I think I'm fairly easy.   What it means is that I am pretty relaxed about what I can find to paint in most situations, even in a new place in a foreign country.  In a plein-air workshop situation, it is usually a person who organizes this that is more worried than me if I like a particular view or if I see anything that is paintable for my group.  As a realistic painter, I find it somewhat important to be situated in an ideal spot where there is good light and a good view.  However, in my opinion, even the best view is not perfect.  I end up changing a few things in my painting anyway, so I decided some time ago I might as well enjoy the challenge of painting on the spot.

Recently, I was visiting a small village of Domme in the region of Dordogne, France.  Many people come to this fortified medieval village for a stunning panoramic view of the Dordogne River and its valley.  I, too, was very inspired to paint the picturesque view.   When I set up and started drawing, I heard a voice inside me that told me to do more than just the valley view.  In my artist's eye, I saw the inclusion of the village in the landscape as a viable option so I moved the entire rock, topped with a few houses, into the view.  I did this in my painting, not for real, of course, but I must say I enjoy this kind of imaginary play quite often.  Inspiration feeds imagination, and imagination helps me visualize the result of my creative effort.  Whether we are a realistic painter or an abstract painter, I think we should all embrace the power of imagination.

Painting in Domme, France

Domme, France II

Click for an enlarged view.

Media: Original watercolor on paper

Image Size: 13 x 19 inches (33 x 48 cm)

Frame/Mat: No

Purchase: Please send me an email for details.

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